Cheryl Cashman
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Characters Developed Through the Life Studies Technique, in the play, Allan Gardens
Life Studies by Cheryl Cashman, December 2011
'Life Studies' is a characterization technique which I initiated in 1972 when directing my first professional show in
Toronto at the Toronto Free Theatre (now Canadian Stage).
I was staying at the apartment of a previous graduate of the University of Alberta Don McQuarrie,
which was situated directly across the street from Allan Gardens park.
When Martin Kinch called me to direct a show he stipulated that the script had to be Canadian.
When Martin invited me down to the theatre to choose a script I said: "I already have one."
I looked out the front window and added: "It's called 'Allan Gardens'." It's about the people in the park." "Fine," he said.
Next we did 'Street Signs' about public places in Toronto (streetcars, bars, lunch counters), and eventually in 1975 'City - The Toronto Show' at Theatre Passe-Muraille. In 'City' the first act consisted of realistic scenes from all over the city and the second abstracting from that and extending to the use of mask, choral song and choreography. Over the years I have taught this technique followed by a showing of the work, in various master classes, Colleges and University theatre programs. This winter I have compiled these experiences and exercises for a book to be published entitled "Life Studies: a Characterization Technique for The Theatre". I, myself, have used this technique combined with a sensibility derived from Clowning to create the characters in my one-woman solo shows received with critical and popular acclaim. When I have had the opportunity to precede the teaching of Scene Study with that of Life Studies I have found this to elicit from the actor a palpably greater depth and detail in their character portrayals. |